I’m trying not to feel bad about having to cancel on ConDFW. What’s helping me is that we have sunshine and crisp cool weather that is perfect for seeing my horse.

I cleaned up my office last week after AggieCon with the expectation that I would get some writing done this week. That didn’t happen for a variety of reasons (mostly because the story work right now is going on in my head, not on the page, and also because of various family obligations) and I had expected not to get any writing done this weekend either since I would be away. But yay! I have a weekend back, and that is also salving the pain of missing a con.

In addition, a kind reader asked for some more stories about Colar, especially about Colar in the US. Well, I can do that. So in the coming months expect some short pieces about Colar in North Salem, and adapting to his new life and possibilities as a typical teenager in America, as opposed to his life as heir to Terrick.

Being bummed about the con, I decided to spend some of my dealer room money on books here, rather than in Dallas. My son came with me and we had a great time picking out books. I got Good Omens, because I’m coming late to that party. Also picked up another copy of Dies the Fire, since I had loaned my first one out and don’t expect to get it back. Finally, I got a romance called Sliding Home by Kate Angell, which I read last night (romances are quick reads).

Well, I think I lost my capacity to enjoy romance. This had good points, but it was a stupid people plot (i.e., it hinged on people being stupid) and that irritated me. The baseball stuff was fun though and the characters were likable and personable and frankly that goes a long way. I don’t like head-hopping but in romance it seems to be tolerated. Note: a multi-viewpoint book (for example, Gordath Wood) is not the same as head-hopping, in which the author writes from different characters’ POV in the same paragraph. I find it jarring.

After discussions with JK Cheney on the subject of romance, I was looking for the final obstacle plot element that she said is in every romance. Basically this is the last step before the couple gets its Happy Ever After.¬† Sometimes this is called the big stupid misunderstanding, which I think I first ran across on Holly Lisle’s website. In Sliding Home, the last obstacle made¬† sense in context and no one behaved foolishly so hey, it was a win. But while I am a romantic at heart, I don’t know if I am that interested in romances any more unless there’s more to them than just the romance.

So now I am looking forward to Good Omens, and rereading Dies the Fire. And writing. And seeing my horse and demudding him.


1 Comment

J. Kathleen Cheney · February 22, 2010 at 6:47 pm

Ah, it’s OK. I suspect you’re wanting something new from Romance, and romance is really more about reassuring predictability than novelty. Sorry…

Leave a Reply

Your email address will not be published. Required fields are marked *

Related Posts

the writing life

Introducing…The Sisters Mederos

I am so happy and excited to announce the debut of my latest novel, The Sisters Mederos, coming out from Angry Robot Books in April of 2018. Regular readers of my blog will recognize the Read more…

observations

Complicated

Because the male gaze is crippling and demeaning. (That man in the sportscar. I was twelve.) Because the male gaze is a powerful drug, a pure hit. (That black dress, I walked like a goddess Read more…

observations

What the Dickens, Stephen King!

I just saw IT. And a few days ago Jack Conner reminded me that it was Stephen King’s birthday. Whereupon I commented that King is the Charles Dickens of our time. Some writers are meant Read more…